How China Is Changing The Balance Of Power In The Art World
Forbes Online by Alexandre Errera
Market headlines about whether China is number one, two or three in
global auction sales may only be the tip of the iceberg of what is in
the making. Looking at its auction houses, private museums and
collectors, one may picture a very different landscape in the art world
in the not too distant future.
Last week, Poly Culture Group Corporation, part of the $61 billion
state-run empire Poly Group, and owner of Beijing Poly
International Auction, the world’s third largest auction house,
announced that it is filing for an initial public offering. The
news did not provoke much fuss in the West, perhaps due to the modest
size of the IPO ($330 million), but it is indicative of its ambitions to
grow global and should not be ignored.
Even more interesting is what its Chief Executive Jiang Yingchun said
during the press conference: “We are big in the art auction market in
mainland China but we still have a long way to go to become the biggest
auction house worldwide.” A modest statement that some could actually
read as the proof of its goal to become largest auction house in the
world. With nearly $1 billion in sales in 2012, Poly is still far away
from Christie’s or Sotheby’s, but it was only launched 8 years ago,
compared to the Western houses’ 250 year history. One could argue it
might be only a question of time until we see an auction of Poly or
Guardian (another Chinese auction house), in New York or London.
Read the rest of the Forbes article here
The numbers coming out of China are staggering. If just the top 1% of China's population are wealthy enough to drive up the global prices at auctions that's still 13 million people, or about the same population of the entire State of Florida. GL
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