Saturday, December 1, 2012
George Bellows at the Metropolitan Museum of Art - posted by Florida Fine Art Blog
George Bellows at the Metropolitan Museum of Art
New York, 28 November 2012, Art Media Agency (AMA).
From 15 November 2012 to 18 February 2013 will be held the first comprehensive retrospective, in nearly half a century, of American artist George Bellows (1882-1925) at the MET. His famous and powerful depictions of boxing matches and scenes of New York City as well as painted city landscapes, seascapes, war scenes and portraits will be exhibited. The total of the works exhibited is 120 and the exhibition is the first retrospective of the artist’s career since 1966.
The exhibition was made possible thanks to the Peter Sharp Foundation. It was organised by the National Gallery of Art, Washington, in association with the Metropolitan Museum of Art , New York, and the Royal Academy of Arts, London.
Even though he died young (42 years old) he was one of the most acclaimed artists of his generation. Paintings and prints by Bellows are part of the collections of major American art museums such as the National Gallery of Art in Washington, the Memorial Art Gallery of the University of Rochester, in Rochester New York, the Whitney and the Museum of Modern Art in New York, and the Hyde Collection, in Glens Falls, New York.
Link to Article here
One of my Favorite artists, George Bellows is also part of a group show currently at the Museum of Art - Fort Lauderdale. 'Return to the Ashcan' is a group show of the famous Ashcan artists that will be on view on the Musem's Glackens Galleries. George Luks, William Glackens, John Sloan, Everett Shinn, Guy Pène du Bois and of course George Bellows were leaders of the group and their works are included in this stunning exhibition of paintings and works on paper. The show runs from October 20, 2012 until February 24, 2013. GL
More on 'Return to the Ashcan' here
MOCA Cleveland Debuts 'Hexagon,' A Multimillion Dollar Art Hub - posted by Florida Fine Art Blog
MOCA Cleveland Debuts "Hexagon", A Multimillion Dollar Art Hub, To The Public
Article from The Huffington Post
The Museum of Contemporary Art Cleveland has opened its new and very expensive doors to the public today. The 27.3 million dollar "Hexagon," as its referred to officially became the shiniest and most recent addition to one of the highest concentrated districts of museums and cultural organizations in the United States.
The 34,000-square-foot glass structure, designed by Iranian-born and London-based architect Farshid Moussavi, celebrated its opening with an inaugural exhibition titled "Inside Out and from the Ground Up." The show, which opened free to the public this afternoon, features the work of 16 international artists versed in sculpture, painting and sound installations. Louise Bourgeois, Gordon Matta-Clark, David Altmejd, and Walead Beshty are a few of the artists on the docket.
Pictures and more here
Article from The Huffington Post
The Museum of Contemporary Art Cleveland has opened its new and very expensive doors to the public today. The 27.3 million dollar "Hexagon," as its referred to officially became the shiniest and most recent addition to one of the highest concentrated districts of museums and cultural organizations in the United States.
The 34,000-square-foot glass structure, designed by Iranian-born and London-based architect Farshid Moussavi, celebrated its opening with an inaugural exhibition titled "Inside Out and from the Ground Up." The show, which opened free to the public this afternoon, features the work of 16 international artists versed in sculpture, painting and sound installations. Louise Bourgeois, Gordon Matta-Clark, David Altmejd, and Walead Beshty are a few of the artists on the docket.
Pictures and more here
Wednesday, November 28, 2012
New American Paintings - Call For Southern Artists - posted by Florida Fine Art Blog
CALL
FOR ARTISTS: South Region
Artists residing in: Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Maryland, Mississippi, North Carolina, South Carolina, Tennessee, Virginia,Washington DC, West Virginia
Juror: Miranda Lash
Curator of Modern and Contemporary Art, New Orleans Museum of Art
Deadline: December 31st, 2012 (Midnight EST)
To Apply online you will need to prepare four jpegs of your work (no larger than 1200 pixels at their greatest dimension) and a credit card for the late entry fee.
Artists residing in: Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Maryland, Mississippi, North Carolina, South Carolina, Tennessee, Virginia,Washington DC, West Virginia
Juror: Miranda Lash
Curator of Modern and Contemporary Art, New Orleans Museum of Art
Deadline: December 31st, 2012 (Midnight EST)
To Apply online you will need to prepare four jpegs of your work (no larger than 1200 pixels at their greatest dimension) and a credit card for the late entry fee.
Entry
fee: $50
Click the link below to register and submit your entries to the
Southern competition:
www.newamericanpaintings.net/submission/
*Subscribe to New American Paintings for $99 you entry will be free!
Questions? Visit our FAQ pages: General or Technical
Click the link below to register and submit your entries to the
Southern competition:
www.newamericanpaintings.net/submission/
*Subscribe to New American Paintings for $99 you entry will be free!
Questions? Visit our FAQ pages: General or Technical
----------------
If you have viewed our FAQs and still have questions,
please email us or call 1-888-235-2783
Calling All Artists- Hip to be Square Group Local Show - Bear & Bird - posted by Florida Fine Art Blog
CALLING ALL ARTISTS!
This show is open for participation to all South Florida Artists!Hip to Be Square: Square Show 3
I know reading can be hard, but you MUST read all the important info below in order to participate!This art show is OPEN to all artists living in South Florida. You do not need to submit your artwork for approval ahead of time. How do we define the area of South Florida? If you can drop-off and pick-up your artwork IN-PERSON and ON-TIME you can participate! We do not accept any mailed-in entries, nor will we return any artwork via mail for any of our "all locals welcome" shows.
What do I have to do to join?
If you are certain that you will be taking part of this show, then please RSVP by Friday, December 14th at midnight & you will be included on the printed flyer & receive email reminders. To RSVP, simply email your "artist name" exactly as you want it to appear - in the body of the message to us at rsvp@bearandbird.com
Once the RSVP deadline passes, you can still join in - you just won't be listed on the printed flyer. Simply read and follow the instructions below and bring your work in ON TIME and READY TO HANG.
Much more after the break -
Thursday, November 1, 2012
International Taste of the Arts Festival Showcases Doral’s Design District -- posted by Florida Fine Art Blog
International Taste of the Arts Festival
Saturday, November 10, 2012, from 10 a.m. to 4 p.m.
NW 79 Avenue, between NW 29th and 33rd Streets
Doral, FL – The City of Doral proudly presents its 1st Annual Doral Design District International “Taste of the Arts Festival,” an event providing opportunities for the general public to learn more about the Doral Design District and Doral’s internationally renowned art, tile and marble merchants.
Local artisans will display their extraordinary talent. Merchants, businesses and community groups will have booths featuring food, arts and much more. There will be something for the entire family, including a Kid’s Village, live performances and Do-It-Yourself shows. Festival hours will be 10 a.m. to 4 p.m. Admission to the International Taste of the Arts is FREE.
CONTACT:Natalie French 786-859-2163 natalie.french@cityofdoral.com This invitation was sent in by by alert reader to this blog and looks like a fun event. I have recently heard really good things about the cultural happenings in Doral. GL
Tuesday, October 23, 2012
"Video of the Week" Robert C. Broward -- by Florida Fine Art Blog
Keeping with the heavy architecture theme I have going today I thought I would post one more thing about Robert C. Broward. My choice for "Video of the Week" and the bio below is found on the Broward Family History website. It’s a great video of Robert Broward talking about his start and his hopes for his own legacy. I love the part where Broward talks about "Form following function" the true meaning of that phrase and the importance of emotional enticements.
ROBERT C. BROWARD, ARCHITECT
Robert C. "Bob" Broward is one of Florida’s most renowned living architects. The organic design of his buildings reflects his lifelong commitment to environmental stewardship and quality of life.
The great-second-cousin of Governor Napoleon Bonaparte Broward, Bob grew up in Jacksonville. At age 17, he inherited a stack of old Broward family letters that dated from the early 1800s through the post-Civil War period. These faded, torn, and fragile letters contained remarkable stories that piqued his interest in his most unusual family. Thus began a 65-year search for the Broward family’s history, the result of which is this book.
His childhood experiences in North Florida's unspoiled pine woods fostered in him a respect for our natural environment that led him to America's most famous organic architect, Frank Lloyd Wright.
After graduating from Georgia Tech in 1948, Bob worked on the construction of Florida Southern College, the largest complex of Wright buildings in the world. Wright gave Bob apprenticeships to study at both of his compounds, Taliesin East in Wisconsin and Taliesin West in Arizona.
Since he began practicing in Jacksonville in 1956, Bob has translated Wright's principles into an approach to architectural design specific to Florida: using open space, natural forms, and natural materials to complement Florida's environment. In 2011 he was designated Fellow of the American Institute of Architects.
His love of architecture and history has led him on a diverse and untraditional life’s journey, as a writer, a teacher, and a champion of both modern architecture and historic preservation. Bob is the author of the award-winning book, The Architecture of Henry John Klutho: The Prairie School in Jacksonville, which explores the career of one of Florida’s early architectural geniuses. For over four decades, he served as Adjunct Professor at the University of Florida’s School of Architecture, challenging hundreds of young architectural students to reach for the highest values in that noble career. In addition to his many award-winning designs for homes, churches, schools, museums, and commercial buildings, he has played a key role in preserving some of Jacksonville’s most significant historic landmarks.
Architect and Artist Robert Swedroe showing at St. Thomas University’s Sardinas Gallery -- posted by Florida Fine Art Blog
Cyber Waves
Acclaimed Architect And Artist To Show Work At St. Thomas University’s Sardinas Gallery
St. Thomas University‘s Sardinas Gallery will host the opening reception of A Glorious Spectrum, a collage exhibit by the acclaimed Florida architect and artist Robert Swedroe, Thursday, October 11. The University is inviting media and South Florida art lovers to meet the artist and enjoy his works’ dazzling colors and dimensional pieces. Swedroe originally worked as a senior design architect for the famed Morris Lapidus and after a 33 year sabbatical from his art he began producing the intricate and brilliant-color collages. The Gallery is located on the 2nd floor of the Main Library, 16401 NW 37 Avenue in Miami Gardens. Staying cutting edge in the ever-growing South Florida arts community, St. Thomas University has been offering a unique graduate-level degree (few and similar in the US) that teaches the business of art. A Master’s degree housed in the Institute of Communications, Entertainment and Media, the program is an Art Management specialization. Its curriculum encompasses the economic, marketing, and financial aspects that empower business owners and management involved in the arts circles. Link to St. Thomas University website Robert Swedroe website
Self-Described 'Redneck' Takes On Kabul Art Scene -- posted b Florida Fine Art Blog
Aman Mojadidi poses as a "jihadi gangster" in a photo titled "After a Long Day's Work," part of the "A Day in the Life of a Jihadi Gangster" photo series
Self-Described 'Redneck' Takes On Kabul Art Scene
Radio Free Europe By Frud Bezhan
Im an Afghan by blood and a redneck by the grace of God," Aman Mojadidi says in introducing himself. "I'm an atheist and a radically politicized artist."
Nine years ago, the Afghan-born American performance artist returned from Florida to his native Kabul. In that time the 41-year-old has made a name for himself as a leading provocateur within the Afghan capital's emerging art scene.
Through various art forms, including film, photography, and public installation projects, Mojadidi has waged a relentless campaign against what he sees as the excesses of the Afghan government and political stagnation in the war-torn country he was forced to flee as a child.
Mojadidi's chief targets have been corruption, which he says permeates all levels of society, and the monopolization of political power by the country's former warlords and militia leaders.
"The rampant corruption manifests itself here in a way that it affects everyone, not just the higher levels of politics. I also think [a problem] is the political control in the hands of jihadist leaders," Mojadidi says.
"I don't think the country will be able to really move forward as a nation until political power ceases to be in the hands of those who rest all their authority on the fact that they did jihad against the Soviet Union," he adds. "They are keeping the country stagnated in that period."
...
Some, predictably, take offense to pictures depicting him as a warlord sitting beside his golden wooden leg, trying to watch television while a scantily-clad, burqa-wearing woman tries to get his attention.
By the same token, photos of him sitting in a barber shop adorned in a Confederate flag, swilling Budweiser beer, might rub some in the religiously conservative country the wrong way.
But while Mojadidi has occasionally come into conflict with the Afghan authorities, he has never been formally charged. And he has answers for his critics.
Working in Afghanistan has been "schizophrenic," Mojadidi says. He insists that although the country is a "junkman's paradise" in terms of artistic practice, the development of the Afghan art scene is being held back by religious radicals and powerful politicians keen on stifling criticism.
...
What drives him to labor every day in the hostile conditions in Afghanistan, he says, is the same reason he moved back to the country in the first place.
"What moved me here has a lot to do with doing something to contribute to Afghanistan and to do something to help Afghanistan in some way," Mojadidi says. "There's also a desire to get to know my cultural heritage and try and connect more with that heritage."
Link to whole Article here
Link to Aman's website here
Best Bizarre Statues Or Public Art In South Florida -- posted by Florida Fine Art Blog
Edward Leedskalnin creator of the Coral Castle
by Skot Olsen
Best Bizarre Statues Or Public Art In South Florida
CBS Miami by Glenn Osrin
Everyone’s definition of bizarre differs, yet is greatly influenced by what society expects to be normal. When it comes to statues or public art, message, presentation, color or location can add significance to the piece by clashing with norms that make it outrageous, scandalous, weird or outstanding. Here are a few of Miami’s best bizarre art pieces that require some contemplation.
Link to Article
Mr. Osrin has a few good choices for the best bizarre public art pieces, including the famous Coral Castle. I think the new Gandhi Statue in Davie could be included just for the fact that its in Davie of all places. What other public works stick out? Remember the blue bikes parked everywhere? Or the lifesize bronze statue of the "Barefoot mailman" located at the Hillsboro inlet. How about the the old bank door frame entrance on Riverwalk next to the train tracks in Fort Lauderdale? GL
Mary Becht Honored with Howard Kleinberg Award -- by Florida Fine Art Blog
The 2012 Howard Kleinberg Award recipient has been announced by the Carbonells. Established in 2000, the award is named after Howard Kleinberg, long-time Editor of The Miami News, historian, and author of numerous articles and books on the social and cultural history of Miami and South Florida. It is awarded as special recognition for contributions to the health and development of the arts in South Florida.
This year’s honor will go to Mary A. Becht, who has served as Director of the Broward Cultural Division since 1984 and has been a pioneer of a long list of arts and cultural milestones. Becht has grown the Broward Cultural Division into a nationally-recognized local arts agency that is used as a model for many of the more than 5,000 local arts agencies throughout the United States. She leads the staff, the board, the committees and the Division’s annual budget of $3.9 Million, serves a constituency of more than 550 not-for-profit cultural organizations and a community of 1.7 million residents. She has served as on-site evaluator for the Florida Cultural Institution Program and the National Endowment for the Arts. She has also served as vice-chair of the United States Arts Urban Federation, president of the Florida Association of Local Arts Agencies, chair of the South Florida Cultural Consortium and president of the Broward Women’s Alliance.
This award is the fifth annual award of recognition to be received by Mary Becht including, the First Annual Arts and Culture Award from National Association of Counties in 1990; the Arts Administrator of the Year Award from Arts Management News Service of Columbia College in 2002; the Public Leadership in the Arts Award from National Association of Counties in 2004; and the Ray Hanley Innovation Award, from Americans For the Arts’ United States Urban Arts Federation. Many programs from the Broward Cultural Division have served as models for her peers around the county.
I have wanted to post this for some time now. Mary has contributed so much to the arts in South Florida it is hard to imagine where we would be without her leadership. This is a much deserved award. GL
Robert C. Broward -- by Florida Fine Art Blog
Unitarian Universalist Church of Jacksonville in Arlington
Robert C. Broward
Two nice articles I found on Robert C. Broward. Mr. Broward was inducted into the Florida Artist Hall of Fame last year for his contributions to the Architecture of Florida. Mr. Broward’s story is a great example of the power of inspiration and mentoring. A local Florida boy, Robert began as an apprentice to Frank Lloyd Wright as Mr. Wright was building the Florida Southern College campus. Robert C. Broward spend his life combining the sensibilities learned from Frank Lloyd Wright into the landscape of Florida. In sixty-one years of architectural practice in Florida, Mr. Broward has produced diverse designs including small homes and chapels, as well as large warehouses, office buildings, churches museums, movie theaters, high-rise buildings, oceanfront residences and corporate headquarters. He is also the author of “The Architecture of Henry John Klutho: The Prairie School of Jacksonville” an important book about the famed architect Klutho and his ties to Jacksonville. GL
Link to Spotlight Article found on Culture Builds Florida websiteLink to Article found on Unitarian Church website
Florida Artist Hall of Fame website
Miami Art Museum donations on pace with building -- posted by Florida Fine Art Blog
Miami Art Museum donations on pace with building
Miami Herald By Daniel Chang
Miami Art Museum officials are more than halfway to their goal of raising millions in private donations for their new waterfront home.
Seeing is believing for donors to the new Miami Art Museum now under construction alongside Biscayne Bay in downtown’s Bicentennial Park.
With elevated platforms resting atop columns, a trellis-like roof, and a grand staircase that opens onto the water’s edge, the MAM building designed by the Swiss firm of Herzog & de Meuron has generated enthusiasm among architectural critics and museum officials alike.
Lately, MAM director Thom Collins said, that sense of excitement has spread to the museum’s benefactors.
As workers give shape to the museum’s Stiltsville-inspired design, donations to the building campaign are on pace to meet the promise made by museum trustees to raise $120 million in private funds to offset the costs of construction and future operations, he said. More than half has already been pledged.
“People don’t get on board until they see things,’’ Collins said during a recent tour of the construction site. “We’re well within $2 million of finishing the bricks and mortar fundraising.’’
...
The guaranteed maximum price for MAM’s new building is $131 million, Collins said, but the total price tag on the project, including an endowment to ensure its future operations, is about $220 million.
Public money from a general obligation bond approved by Miami-Dade voters in 2004 will pay $100 million of that cost. Museum trustees pledged to raise an additional $120 million in private donations, including $31 million to offset construction costs, $70 million for an endowment to ensure future operations, and $19 million for transitional expenses.
Link to Article
Saturday, October 13, 2012
Shanghai seeks premier art status with new museums - posted by Florida Fine Art Blog
The China Art Palace, formerly the China Pavilion
Shanghai seeks premier art status with new museums
By Bill Savadove (AFP)SHANGHAI — Shanghai on Monday opened two new art museums on the former site of the 2010 World Expo, as China's commercial hub seeks to rival art capitals like New York and Paris.
The China Art Museum, intended to be Shanghai's premier showplace for modern art, threw open its doors in the former China pavilion, which was the signature building for the world's fair.
"The scale and configuration is matchless in Asia. It is close to America's Metropolitan Museum of Art, France's Musee d'Orsay and other internationally famous art museums," Shanghai culture chief Hu Jinjun said before the opening.
The government-backed museum has an exhibition space alone of 64,000 square metres (688,890 square feet), Hu told state media.
A new contemporary art museum also welcomed holiday crowds on Monday to exhibit works from the 1980s onwards and give a permanent home to Shanghai's annual art festival.
Called the "Power Station of Art", the 40,000-square-metre (430,556 square feet) museum takes its name from the former power station building which was converted for the Expo.
The Power Station of Art
Critics have raised questions over how Shanghai will fill the massive spaces with meaningful exhibitions.
"They're basically modelling themselves on New York or London," said Chris Gill, a Shanghai-based artist and arts writer.
"China tends to build these huge art museums. The problem is what they're going to put in it. The content side is always compromised by the political situation," he told AFP.
China censors art that it considers politically sensitive or pornographic, with local officials having the right to pull individual works or shut down shows.
Shanghai officials in September barred display of a photo work by artist Chi Peng, which shows a gorilla at Beijing's famed Tiananmen Square, according to his microblog.
In 2006, Shanghai shut down an exhibition by dozens of Chinese artists at a private art museum for showing "pornographic" images, described as pictures of naked women.
The exhibitions in place for the opening of the China Art Museum are heavily weighted towards Chinese art, but one floor has foreign works including a painting by Rembrandt and another by Johannes Vermeer -- on loan from the Netherlands' Rijksmuseum.
Shanghai university student Wang Qingyong marvelled at the size of the new museum.
"There is a lot of space. More works will come," she said gazing at a painting by the American artist Robert Bechtle.
Shanghai has already tested the China Pavilion as a venue for art, spending $1.4 million for China's biggest ever exhibition of the works of Spanish artist Pablo Picasso last year, but attendance was lower than expected.
The city has high hopes for attendance, distributing free tickets for 10,000 people a day to the China Art Museum and 6,000 daily for the Power Station of Art over the week-long National Day holiday, which started Monday.
Link to Article
Link to another article about the Museums
Like there were not enough reasons to visit Shanghai, old and new. These new Museums and the cities commitment to modern art will be tested by China's still very strict censorship policies. Perhaps as long as the artists are Western and criticizing there own cultures they will get a pass. But what happens when one of these museums shows work by a Chinese artist critical of the Chinese government? When China's best known contemporary artist Ai Wei had an opening last year in New York, the Chinese government jailed him so he could not be at his own show. Imagine how they would react to a retrospective of his work at one of the new museums in Shanghai that they fund. GL
Link to Free Ai Weiwei website
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